Tech: Shoot a Better iPhone Adventure Video With Tips From Camp 4

If you spend any time watching adventure videos and films, then you know Camp 4 Collective. The powerhouse production team includes some of the world's best climber-photographers—Jimmy Chin, Renan Ozturk, and Tim Kemple—shooting in the world's most extreme, least seen places. Last week they released The Denali Experiment, featuring an all-star crew of mountaineers, skiers, and snowboarders blending their skills to climb up and shred down North America's tallest peak (definitely a must-watch). The Camp 4 guys are total pros—both at staying safe on the most grueling, exotic adventures and shooting incredible footage. 

Gillian Chase – iPhone 4s Music Video from Camp 4 Collective on Vimeo.

Recently, Camp 4 conducted another experiment: They shot a music video on a camera phone. While normally this would sound like a waste of time for filmmakers of their expertise, that was not the case. Shooting on the iPhone 4S, with its 8-megapixel camera and 1080p hi-def video, the team produced great results.

"The first digital video cameras we took with us into the mountains four years ago—to Pakistan—were shooting lower resolution and weighed significantly more," says Tim Kemple, who directed the music video featuring singer Gillian Chase. "But even bigger than that to me is the idea that you can always have this camera with you—no set up, no setting down your backpack." Pretty ideal for documenting your adventures.

Here are Kemple's tips—including how to stabilize your shooting, optimizing for iOS5 features, apps for extreme environments, tethering to send dispatches, and dealing with low light—so we all can shoot more like the pros. Just don't forget to put your iPhone in airplane mode. —Mary Anne Potts


Adventure: Why did a bunch of hardcore climbers want to shoot a music video?

Tim Kemple: It was a fun project we did in a couple afternoons after work. Everyone we knew was talking about these new fancy cameras from RED and Canon, and we were excited for them, too. But that got me thinking … I wonder what this thing in my pocket can do? It was also a way for us to get out of the studio and come together to make something creative.

The first digital video cameras we took with us into the mountains four years ago—to Pakistan—were shooting lower resolution and weighed significantly more than the iPhone 4S. But even bigger than that, to me, is the idea that you can always have this camera with you—no set up, no setting down your backpack.

A: Shooting at the Great Salt Lake for the music video was a beautiful, fairly controlled environment. But have you have also tested the iPhone in extreme conditions?

TK: You'd be amazed at the ways that modern adventurers are using the iPhone in all sorts of conditions. It captures beautiful still images (I've had iPhone images from expeditions run editorially), and the quality of the video is excellent. But just the idea that it's always with you means you end up using it when you'd least expect. Here are a few examples I can think of personally:

1) We used the Star Walk app to show where and when the sun and moon will rise for our timelapses. On the iPhone shoot, we knew the exact position and time of the setting sun on our horizon. How cool is that?

2) Most people have seen Alone on the Wall with [free solo rock climber] Alex Honnold … what most people don't know is that an hour before his freak out on the ledge, we were all huddled inside a cave on the side of Half Dome stuck in the middle of a scary thunderstorm. I was able to pull out my iPhone and see the satellite imagery of the storm, see the red dot on top of us, and see that it was clearing. Without that weather knowledge we would have bailed.

3) In Patagonia this past year, I had the entire Climbing Guidebook as a PDF on my iPhone. So when the clouds parted I could simply flip thru my iPhone to find the desired (dry) route, and we had all of the beta. On the summit I was able to capture a Panorama/Stitch image that ended up running as an editorial image in Rock and Ice.

4) We've tethered the iPhone in places like Namche, Newfoundland, and others to upload dispatches and trip reports in the past year. It's usually faster and always way cheaper than any sat modem!

A: What are three filming tips you can pass along?

TK: The biggest one: keep it simple—we went out to experiment with a new camera and that was it. We didn't try to overly complicate things or try new techniques.

Number two: the biggest key to a good-looking footage is stable shots. They don't all need to be super stable, but nobody likes watching non-stop shaky videos. A simple tripod goes a long ways. Attaching the camera to something heavier (like a beefy tripod) is a great way to get steady looking walking and hand held footage.

Number three: shoot a subject that you are passionate about. It's the subtle details that you capture when you are shooting something that means something to you that really makes any video (or still image) stand out.

A: The golden light in the music video is so peaceful and artistic. Is this all shot just with the standard video camera on the phone? Or with an app?

TK: All of the video footage was shot with the normal video camera. We intentionally shot in the evening hours when we knew the light would look beautiful—and as amazing as the new camera on the 4S is, the new software update (iOS5) available on any iPhone really let us play with the camera in ways we couldn't before. The new iOS lets you lock focus/exposure/and White Balance. That really let us control the look of the footage we were getting.

A: How did you keep the shots so steady? It that just because you are pros? Or did you have something else helping?

TK: We experimented with all sorts of toys to keep the footage steady. In the end we took as much equipment as we could from the studio out to the location. We used a lot of the hand held footage (the new camera has image stabilization), tripods on the ground, tripods carried in your hand (to give the camera weight). We also dusted off our 18' crane that we normally use on commercial shoots—it was ridiculous honestly … but that was the point. Seeing a little iPhone at the end of a big crane was classic!

In order to mount the camera to the tripods, we used standard 'super clamps' and also experimented with the Joby Gorilla Pod for iphone … there might have been some duct tape involved at certain points, too.

A: What editing program did you use? What was that process like?

TK: We treated this footage just like any other footage that comes back from a shoot. We used Final Cut Pro to transcode the footage from H.264 to ProRes. I edited the piece in Premiere Pro and used Magic Bullet Colorista to do pretty minimal color work (mostly to get the clips to match as best I could).

A: How did you handle the audio? You clearly got rid of all the ambient noise.

TK: The audio in the video was recorded at home using Garage Band by Gillian. We then put the music on an ipod and played it over speakers when we on location. She played/sang over top of the iPod. Once it came time to edit I dropped in her master and was able to sync the footage up using the recorded audio from the phone (looking at the wave forms).

A: Let's talk more about the approach with the blown out color. How did you get the effect? Post production? Why did you want it? 

TK: This look was accomplished entirely in camera. To me it looks a lot like one of the looks that's popular on Instagram right now—and I dig it. To get the footage to look how we wanted we shot Gillian backlit nearly the entire time. Then we would focus and expose on her guitar or face (which was in the shadow). Because the camera thought it had to expose for the darker area, and we were able to lock that exposure, when we recomposed to include the sun it gives it that great washed out, ephemeral look.

It was the combination of the song and the landscape that really made us decide that we really wanted to achieve the dreamy look.

A: Because you were shooting on a phone, did you have to sort through a lot of footage you couldn't use?

TK: Honestly because we had such little time in the couple days we shot, there wasn't too much footage at all. I did have to remember to put the phone in Airplane Mode though!

The timelapses were a little more involved in that we had to import all of the photos into Aperture, export them as color corrected Jpegs, and then create a movie out of them in Quicktime before we could start editing them.

A: How does the resolution hold up? What's the largest size this film can be played on?

TK: The footage from the camera is 1080p—and in the right conditions you would be hard pressed to tell the difference between it and any other camera. It's really not until you try and do heavy color work or if you shoot it in dark situations (where the small sensor shows it weakness) that the footage starts to fall apart. We chose to edit this video in 720p because it gave us the freedom to crop in on some of the shots, do zooms, as well as fix any crooked horizons. We've watched it here on our big television at the studio, and it looks fantastic.

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  2. Phil
    December 4, 2011, 8:40 am

    Great article, great video and lovely song. Could you tell me a bit more about the tethering you’ve done in remote places with an iphone? I’m taking 39 students to the remote Himalayas for three weeks of adventure, community work and science fieldwork; I want them to be able to properly blog back to family and friends.
    This summer I took students to Greenland and we used an iphone and Spot to get messages out, but they could only be 40 characters long.

  3. Tim Kemple
    December 4, 2011, 4:32 pm

    Tim Kemple
    @ Phil —
    You can use any iPhone running current iOS software as a hotspot. However you may be limited by the carrier of your SIM. That means when traveling internationally you just need to research the carriers and chose on that allows tethering.
    This may all be a non-issue for you however because the Himalaya is loaded with tons of internet connectivity options. For example nearly every village from Lukla to Namche has Internet Cafes

  4. Ann Baldwin
    December 6, 2011, 11:03 am

    Very attractive footage. However, all the time I’m watching I’m thinking why film this on an iPhone and not a point-and-shoot with HD and total manual control of aperture, exposure, etc.? I have a Nikon P7100 which is not much bigger than an iPhone. Surely this would work just as well? I can’t afford an iPhone, so I’m not ‘cool’. I also can’t afford an 18′ crane! I’m not trying to detract from your video – it’s superb – just asking.

  5. Mike Taylor
    December 8, 2011, 3:19 am

    So amazing that you can get that sort of quality in a phone, who’d have thought?

  6. Nazare
    December 8, 2011, 3:26 am

    LOL…is there nothing the all powerful iphone cannot do?

  7. tom
    December 8, 2011, 4:19 am

    Great video, my favourite shot is at 0:25. Amazing.

  8. Tim
    December 8, 2011, 5:14 am

    Great Video, time to take my phone out of my pocket and see the world. What have I been missing.

  9. daza KM
    December 8, 2011, 8:59 am

    Photography is going far and beyond….
    no need hi tech cameras anymore to create art.

  10. Syd Salmon
    December 8, 2011, 9:20 am

    Great shoots! Thanks for sharing your experience. It seems like technology isn’t really the limiting factor in producing great work. Creativity and guts to go where other don’t dare will be the key differentiators.
    What things drove you crazy when shooting on your iPhone?

    December 8, 2011, 11:05 am

    Great work! Apple linked to this article directly on their page, so I guess they’re ok with people relegating FCP to transcoding iPhone footage to ProRes for an Adobe Premiere Edit? That’s not a good sign for they’re pro editing future. As much as FCPX has been blasted, it would have been fully capable of handling this edit in real-time with no transcoding ahead of time. I’ve done it using H.264 footage from a Canon 60D mixed with iPhone and FlipCam footage before with very good success. You should give it a try some time. Canon 60D edit:

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  12. Michael
    December 8, 2011, 11:45 am

    Twice in this article it says to put the iPhone in airplane mode, but nowhere does it say why! So, why?

  13. Walt Kinsey
    December 8, 2011, 2:24 pm

    The real question in this as with any other case, is one of the skills of the people behind the equipment. Too often, too many people get caught up in the equipment question, rather than the learned skills of the photographers and editors of the work. Certainly, some equipment adds some capability here and there, but even then it takes the skilled hand (eye) of the craftsman to pull it off. Our camera club once did a project with disposable cameras and a list and time limit, so the only variable was the people, my what results!! Great job here!!!!

  14. Thomas Graf
    December 8, 2011, 3:36 pm

    I find this amazing !!! I have just one question, in the BTS text you say that you locked focus/exposure/whitebalance. How did you do that ? did you use a special app for that ? I am on IOS 5.01 with the 4s and cannot find any of this functions. Thanks in advance for an answer.

  15. iPhone sucks
    December 8, 2011, 6:07 pm

    The video is shit, just another reason why creatives think they can have there spot done for free. They shot a music video on an iPhone we can do our commercial on one as well” garbage! They never even mentioned the colorist. Bull-shit they did all of that exposer on the phone. Give credit where credit is due.

  16. Marc Cotta
    December 8, 2011, 7:38 pm

    We have a whole website dedicated to iPhone use for the sake of gathering news and information.
    Check out the NewYorkChannel and the Armenian Walk all used strictly iPhone 4, most edited in the iPhone as well.

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  19. JairoArango_CA
    December 9, 2011, 3:17 pm

    iPhone 4S pro video? Give it a try. You’d be surprise too.
    Just don’t forget a script. Great work.

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    Fantastic, inspirational work!
    For Thomas Graf, You can engage the AE/AF Lock on iOS5 with a tap-hold on the area you wish to lock on to. Tap anywhere to unlock.

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  23. Cornel
    December 12, 2011, 3:42 am

    Cool video. Technology is improving fast. Three years ago a photo camera has been used for cinematic productions and now a phone is used. This is bad for Hollywood industry. Almost everyone can do a cinema movie now.

  24. Electronic Gadgets
    December 12, 2011, 8:30 pm

    I have a Nikon P7100 which is not much bigger than an iPhone. Surely this would work just as well? I can’t afford an iPhone, so I’m not ‘cool’. I also can’t afford an 18′ crane! I’m not trying to detract from your video – it’s superb – just asking.

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    Physically unimpressive, Camp 4 was nevertheless a center of rock climbing development during the middle of the 20th century.

  27. alfresco
    December 13, 2011, 11:37 am

    Lot of bitching here about the kit- probably written by never employed bedroom wedding video fanciers.
    I say well done to Camp 4, as video producers we need to be aware of low price, readily available tech and how to make it part of the offer and this is an incredibly creative demonstration of just that.
    The future is in the hands of the consumer and the technology aimed at that market will re-define and shape our business, learn from it & deal with it.
    Or go play with yourself over copies of Star Wars like the very amusing user who refers to himself as ‘iphone sucks’

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    You put the iPhone in “Airplane Mode” so that it doesn’t ring if someone is trying to call your phone. You can imagine how that might f’ with the video footage.

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    already loved the feature siri… waiting to grab my iphone soon…

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    December 16, 2011, 8:14 am

    Hey How did you get the iPhone to attach to the Gorilla tripod?

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  40. Nathan Dantlzer
    December 20, 2011, 6:33 pm

    Worst song ever! The tempo is all over the place! Impressive about the iphone though, just a crap song

  41. Bas
    December 21, 2011, 7:47 am

    Technology will make things possible for more people, not just the big companies, but it’s still the person behind the camera which makes or breaks a movie.

  42. Eduk
    December 21, 2011, 10:29 pm

    @Nathan Dantlzer
    > Worst song ever! The tempo is all over the place! Impressive about the iphone though, just a crap song
    Don’t confuse syncopation with poor tempo.

  43. MT
    December 24, 2011, 6:25 am


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    December 25, 2011, 10:53 am

    Shots of the Great Salt Lake and Salt Lake City are beautiful! I love my city…and yes, I can get a drink here too. 🙂

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  48. Adam
    December 29, 2011, 3:18 pm

    Some great info here, when you said that “the idea that it’s always with you means you end up using it when you’d least expect” I really identify with this. My son is using it for great snowboarding scenes as well in NZ. Like you say, it`s so easy to just use it without loads of set up required.You get shots that you`d just miss otherwise

  49. Edward Pearson
    December 30, 2011, 7:34 pm

    This is a wonderful example of how technology and apple products are impacting society and the world in a definitely positive manner !! I would also say excellent job ,and well done indeed to the makers of this video….a real professional work of art

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    January 2, 2012, 2:19 am

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    January 2, 2012, 10:42 am

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  52. Gadgeter
    January 3, 2012, 9:28 am

    Nice video

  53. Jaq
    January 3, 2012, 2:22 pm

    >Don’t confuse syncopation with poor tempo.
    Her tempo is pretty bad.. pull out your metronome around 1:09 and check for yourself. Even using Garageband, you can set a metronome to play through headphones so it won’t interfere with your recording. I’m all for artistic interpretation of the beat, but it sounds like some of the guitar riffs are struggling to keep in time.

    January 5, 2012, 2:51 pm

    thanks 4 the imfo!!! i shot my video using the macbook camer in 2006 in china check it out!!!!!! title SHE LIKES 2 PARTY.

  55. Keverne Mapp
    January 6, 2012, 5:09 pm

    This video clip was such a pleasure to watch,with a strong visual narrative and its colour treatment made the whole sequence a joy to watch.I agre on the musical side that a few aspects were lacking but the esence of the song was great,a little like ‘Sleeping Lovely’ with her song ‘I’m Not Ready’.
    Reading the tips on how to keep the shot steady helped me understand alot.And with all the geographic advantages of an iPhone,plus the applications you spoke of,someone should build a holster on an HD cam to incorporate an iPhone which would make a perfect unit.
    Thanks again for sharing all your tips and discoveries.

  56. BP
    January 7, 2012, 11:57 am

    I Din’t know there was all this movement. I’be being recording with my I phone for over 1 and half years.
    And working on experimental videos check out the link

  57. BP
    January 7, 2012, 12:08 pm
  58. Adrian
    January 7, 2012, 9:47 pm

    Beautiful footage!!.
    I too am excited in using my iPhone 4S. One thing I ask is what did you do with battery life, how long were you filming for and how did this cope? I’ve noticed that my phone battery isn’t lasting that long.

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  61. DiAnna Clynch
    January 8, 2012, 9:06 am

    What an incredible piece of work! One question I have is how the iPhone is prepared for such extreme trips? Is there a particular iPhone case, GPS enhancer, extended battery, waterproofing or any other gear that you use to make the iPhone last longer and perform in these more remote environments? Any recommendations you might have for a novice explorer who is constantly attached to an iPhone would help 🙂

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    January 10, 2012, 6:40 pm

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    January 17, 2012, 4:59 pm

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    January 18, 2012, 5:30 am

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    February 4, 2012, 12:28 am

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    April 22, 2012, 7:12 pm

    Sorry guys, but as a Union filmmaker in Hollywood, CA for the past 26 years, I gotta say the image quality was pretty dismal. I have an iPhone, and I shoot video with it and it’s fun, but that’s about it. It’s cool for my daughter; she makes groovy little movies and cuts them on the Mac.
    At 720p the vid looked surprisingly low res on my iMac’s big screen. And, we all know, the exposure latitude in the high end is very thin. That’s just the nature of h.d. The chip on an iPhone is probably about as big as a freckle, which lends itself to infinite depth of field, even though you can select focus as you did on the grass. Try doing that with something that is 5 feet away. Nice experiment, I’m sure it was fun and funny to do, but to make a “film” you need lens choices (you can even buy them for the iPhone), grads, filters, ways to add and subtract light.
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    I’m not down on H.D. overall. I know H.D. is the future and a lot of people will disagree with what I’ve said. But watch out when the studios insist on distributing movies that can be projected without their special hard drive. We are probably 3-5 years away from the day when you will never see a brilliant light projecting an image through celluloid onto the screen.
    The democratization of movie making is overall probably a good thing. But not always. Sometimes the results are just crappy.
    I will say, there are applications where H.D. is a perfect fit. Slumdog Millionaire was one. We shot at night in Skid Row, Los Angeles with no light other than what was available from the practicals on the street and from store windows with amazing results. I witnessed circumstances where an Alexa can see in the gloom better than the human eye.
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